TROPICAL
MODERNISM
Illustration from The Architectural Review, 1953. Credit: Courtesy RIBA Collections, Gordon Cullen Estate
WHAT? Tropical Modernism: Architecture and Independence
WHERE? Victoria & Albert Museum, Porter Gallery, South Kensington, London SW7 2RL
WHEN? Now until 22nd September
WHY GO? To reflect on how buildings bring nations together. If ever we feel that architects are not global influencers, this succinct all absorbing exhibition might make us re-evaluate.
The Tropical Modernism label, not dissimilar to modernism in art, refers to a whole style of building in West Africa and India from the 1940 ’s onwards.
British husband and wife duo, Maxwell Fry and Jane Drew and their team of architects led the way and helped reshape many buildings on the Gold Coast for starters as the exhibition tells their story.
The lofty breeze block walls and patterned fretwork verandahs we recognise today as tropical are testament to their approach which was far removed from the stoic British Forties solid structures they left behind in freezing cold Britain.
Obviously politics are explored, as African and Indian nations campaigned for independence and more local talent was engaged. There are some noteworthy interviews in the lively accompanying film, including commentary from the sprightly 95-year old Ghanaian architect, John Owusu-Addo who recalls his early days with delight when they all endeavoured to ’capture the spirit of the nation’.
Along with original drawings, artefacts, photographs and foot-tapping rhythmic music, the exhibition provides a taster of how important buildings are and always will be as a ‘beacon of hope’.
IN THE KNOW Of the numerous accompanying talks, Collecting Africa offers something totally different. It will focus on the flags of Ghana and their huge impact as symbols of national pride and artistic merit. Headed up by V&A East director Gus Casely-Hayford and textile collector Karun Thakar, it’s on 12th April in the V&A lecture theatre.